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You should have seen my face when it was confirmed for me that there really were — ARE!?!!?

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But, apparently, true. Some tiny grain of truth somewhere along the way providing a storytelling opportunity too good to miss and here we are: a mythology so irresistible that we are happy to cleave to it as fact. I no more think of James Bond as a glamourised, ironised take on reality than I think of Spiderman as a Hollywood version of real arachni-heroes. As for Philby and Co — well. I vaguely pd that they were people who had forgotten what lies they told at their entrance interviews and that the situation just kind of ran away from them after that.

Where would you find the energy, the motivation?

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Ah, but here is where even the thickest carapace of ignorance must begin to crack and let a little light shine in. Because, of course, as even the most unwilling of us have learned over the last few elections and referendums, they do.

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The Little Drummer Girl, whose six-part run began on Sunday night brought to us by the same people who gave us The Night Manager two years ago, though its lavish, stylish direction comes courtesy of Korean auteur Park Chan-wook begins with a bomb exploding in the house of an Israeli attache in West Germany, missing him by chance but killing his eight-year-old son.

The bomb was planted by a young woman working as part of a network of cells operated by a brilliant and elusive Palestinian named Khalil. It provides the cue for Martin Kurtz played by the estimable Michael Shannonthe head of a team of Israeli spies working clandestinely — like, even for spies — to step up his mission to find Khalil and stop him.

I suspect not by asking him politely.

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In order to fight fire with fire, Kurtz deems it necessary to recruit a young woman for their side too. Is it? Should we be marvelling at the accuracy of the rendering of history or at the brio with which nonsense is being made credible and compelling? Whichever way we choose, we can all be grateful for it bringing Charlie into the game. Charlie is an actor on a working holiday in Greece with her castmates, paid for by their new anonymous patron.

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She alone is suspicious, noticing among other things that he hums a tune unique to the show they did in London before they left. At the end of it she discovers that her acting ability, ferocious memory and potentially sympathetic politics have made her ideal recruiting material for Kurtz, rather than girlfriend material for Joseph.

Do I know what is real and what is not? Do I know where to position myself at the border between fact and fiction? I do not. Want to give your opinion? Our series recap has comments open. The Little Drummer Girl. Lucy Mangan. Mon 29 Oct . Reuse this content.

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